Garden invites us to contemplate frozen plants, enclosed in a polycarbonate box. The two sculptures approach the theme of the garden from an anthropocentric perspective, suggesting without showing the hand of man cultivating an artificial and controlled nature.

By trapping these plants in a plastic sarcophagus, Garden questions the relevance of human intervention in nature.

Illuminated from within, the plants suspended in time nevertheless hold a certain fascination for us, inviting us to question the aestheticization of nature which, removed from its environment, remains beautiful but dead.